![]() And the guest artists definitely help in this regard: Pusha-T's verse on 'Feel The Love' might not be his best in terms of wordplay and flow but it does provide an anchor point before Kanye starts spraying what I can only describe as trap scatting, and while I found Mos Def's bridge on the title track to be underwhelming, he was a solid presence on the hook for most of the track. For a nice change of pace, it's Cudi who is the most grounded and restrained on this project, stepping back within his cushion of autotune to keep him on-key for once to provide the foundational hooks and verses for Kanye to catapult off of, at least before Kanye eases back on some of his wildness to fall towards the sort of restrained honesty where he can try to take stock of what he's left in his wake. And while I absolutely understand why some people are so supportive of this project and was able to resonate for them on a fundamental level, to me it feels underwritten and meandering throughout its short run time, simultaneously dragging in spots but feeling oddly underwhelming as a whole.Īnd the odd thing is that there are flashes where this record gets close to hitting transcendence, and to discuss how and why we need to start Kanye and Kid Cudi. it's decent - and believe me, I wish this album inspired more emotions or passion out of me, but while there are some cool ideas within Kids See Ghosts, by the time I got about ten listens in the more I was forced to conclude that it all feels way too scattered and undercooked to come together. look, basically for the health of my general operation I had to cover this and put it on my schedule myself, so how is Kids See Ghosts? ![]() And when you pair all of that with a certain overwhelmingly positive review that I don't think anyone saw coming. That said, Kid Cudi and Kanye have managed to find wavelengths where their material has worked before, going back as far as 808s & Heartbreak, and the positive but varied critical reception to this project was intriguing, especially as critics have not held back when it has come to Kid Cudi in the past. Ambitious for sure, but the gulf between his best work and his worst is vast, and while his well-publicized mental state might make said projects explainable, it doesn't really make them all that listenable. well, I haven't actually ever reviewed a Kid Cudi record in full, but I have heard a fair chunk of his discography and my general impression is a wealth of genre-blending musical ideas and interesting language, but often falling way short in terms of execution, leading to records that can be really intriguing but also extremely frustrating. ![]() ![]() Seriously, I was - and I'm not saying that to shock you or be provocative, there's no shortage of records that I'm a lot more interested in covering than Kanye's tangled mess of underwhelming contradictions that'll be excused by diehard fans no matter what is said or done. I was going to skip this album altogether.
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